For the final touches, I decided to add smooth, sketchy colouring to the blank section digitally and layer it over the hand painted drawing. This way, once I had digitally altered it, I could get a smoother finish on the drawing, as well as being able to blur the background so the bookcase and figures would not appear as sharp - which was my intended effect.
After this effect was done, I could effectively do the background, adding in the trees with the stronger detail in the foreground but faded towards the background. I also did the same with the cliffs, however, in keeping with Renzo Piano's style, I extended the bold outline of the main flooring to the extent of the cliffs. As the final touches for added depth, I put in a gradient for the sky.
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